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He is also a licensed personal trainer, forklift driver, open-water advanced diver, and is certified in CPR.
5 THE SIMPSONS (Fox) Unappreciated now because the media celebrated Bart-mania years ago, The Simpsons continues to be the most reliable satire on network TV.
The Waltons’ Ralph Waite has been a marvelous skunk of a baddie, and Missy Crider’s work as a hapless murder defendant who also happened to be, as one character puts it, ”a major hottie,” gave One a fresh jolt of energy.
So few viewers are watching that this vote is probably for a lost cause: big mistake, America.
The season opener, in which Homer and family left Springfield to work and live in a happy-faced, fascist corporate community was such a dead-on critique of the Disney empire, I swear I heard Rupert Murdoch chuckling.
6 FRIENDS (NBC) Overexposure has led to a widespread underrating of this still-excellently written, hilariously performed show.
Earlier this year, cocreator Steven Bochco told EW: ”This is now [cocreator-producer] David Milch’s show; if I disappeared tomorrow, the quality of that show would not suffer for a second.” And a key to Milch’s production work this season is his knowledge that once you’ve set up a character people care about, that creation can do questionable, even bad things, and the viewers won’t merely accept the behavior but feel that badness in their bones.